'Fresh Kill,' Shu Lea Cheangi's debut feature film, written by acclaimed Filipino-American writer Jessica Hagedorn, uses a science fiction setting to expose the interconnectedness of global environmental crisis and racist worldviews.
Like the scenery from a running train, memories are beautiful, blurry and keep changing. A daughter expresses the feelings of losing her father by mixing video footage and analog film with animation techniques.
Wandering Star along the Silver Screen traces Yoshiko Yamaguchi (Li Xianglan) and Yoshiko Kawashima (Jin Bihui), whose intertwined lives reveal a fragment of 20th-century history, unfolding like twin stars in a shifting phantasmagoria.
The memory of dreams is like a piece of paper filled with words in the mind, with only burnt fragments remaining after waking up. The short film is based on director Gu Bensen's nightmare paintings, transforming the taboos of fear and death into a visual poem.
Inside the train from Wengen to Lauterbrunnen, the snow-covered landscape and the darkness of the tunnel, three windows offer serene yet ever-changing impressions.
It's a film that combines live action, hand-drawn animation, and stop motion to explore the confusion of existence. His lover was waiting for him. Before he left, he was wrapped in a smell, he began to question his moves, he hesitated over whether this was futile.
The 14-minute experimental fashion short film HÓNG uses nine sets of costumes and seven constructed scenes to review the development and evolution of feminism in post -1949 China, blurring the cultural and political experiences of three generations of women into one abstract character.
“The Night Mist at the Harbor” draws on same-sex murder cases in colonial and contemporary Kaohsiung, weaving Taiwan’s double-edged historical symbols into a new visual narrative, accompanied by a Taiwanese-language cover of the Japanese song to embody a self-as-other historical assemblage.
