Giloo International Selections | Festival Highlights

Since 2024, Giloo has officially launched its international viewing service, joining hands with creators around the world to present a curated selection of over a hundred acclaimed films. From award-winning festival titles and popular feature films to thought-provoking documentaries, Giloo brings together diverse themes and compelling stories — inviting you to a cinematic feast that transcends borders.

Frontline Through the Lens | War Film Selections

Five films spanning the World Wars, the Arab Spring, and the Russia–Ukraine war. Wars are often ignited by the struggles of those in power, yet their shockwaves fall upon ordinary people and the land they live on. Every battlefield in history is a lament of its time. Through war documentaries, we step into the immediacy of real events and treat them as warnings from the past. Through character-driven war films, we walk onto the frontlines and witness the glimmers of humanity within the smoke and rubble. After all, as a Vietnam War soldier once said, “When I die I’ll go to heaven because I’ve served my time in hell.” And when they finally find their heaven, may their stories remain here with us.

2025 Golden Horse Nominated Directors Selection

Since its establishment in 1962, the Golden Horse Awards have not only represented the highest honor in Chinese-language cinema but also witnessed countless filmmakers grow from their first attempts to the shaping of distinctive artistic voices. This curated selection highlights six directors nominated this year — Shen Ke-shang and Pan Ke-yin for Best New Director, as well as Lee Chun-shek, Liao Ke-fa, Chong Keat-aun, and Tsao Shih-han for Best Director — revisiting their earlier, defining works. Through this collection, we invite audiences to rediscover how these filmmakers use cinema to respond to the self, society, and their times. By tracing their creative beginnings, we also glimpse the ever-evolving vitality of Chinese-language cinema.

Women on the Run

I’m inviting you to run away with me—but not to escape. To run is active, not passive; everyone who runs has somewhere they want to go—a *there* that differs from the here and now. Running is a force for change. The women gathered in this program are all runners in their own ways. They confront oppressive systems, unequal relationships, the discomforts and constraints of growing up… Some succeed in their escape, some don’t, some are still running and reflecting, and some wander between reality and another world. Let us watch these films and run with them—into the realities women live in, and toward the distant “elsewhere” they long for.

Searching for a person to spend the night with me

李駿碩

The theme of this program is hookup films — stories of young men and women in the city, some by chance, others by design. Each work carries a strong sense of space: homes, subways, laundromats, saunas — online and offline, full of contemporary texture.
Sex is the desire to live; when facing death, I feel small, and each night becomes a luxury.
At some point, I stopped saying “forever” and began saying “the rest of my life,” though what remains may be only tonight.
In one scene, he asks, “Why do you make films?” She answers, “Because I like it.”
Because I like it — that’s how simple the reason is for this generation.